Skip to main contentAccessibility feedback

Dear catholic.com visitors: This website from Catholic Answers, with all its many resources, is the world's largest source of explanations for Catholic beliefs and practices. A fully independent, lay-run, 501(c)(3) ministry that receives no funding from the institutional Church, we rely entirely on the generosity of everyday people like you to keep this website going with trustworthy , fresh, and relevant content. If everyone visiting this month gave just $1, catholic.com would be fully funded for an entire year. Do you find catholic.com helpful? Please make a gift today. SPECIAL PROMOTION FOR NEW MONTHLY DONATIONS! Thank you and God bless.

Dear catholic.com visitors: This website from Catholic Answers, with all its many resources, is the world's largest source of explanations for Catholic beliefs and practices. A fully independent, lay-run, 501(c)(3) ministry that receives no funding from the institutional Church, we rely entirely on the generosity of everyday people like you to keep this website going with trustworthy , fresh, and relevant content. If everyone visiting this month gave just $1, catholic.com would be fully funded for an entire year. Do you find catholic.com helpful? Please make a gift today. SPECIAL PROMOTION FOR NEW MONTHLY DONATIONS! Thank you and God bless.

John Doyle

English portrait-painter and caricaturist b. in Dublin, Ireland, 1797; d. in London, Jan. 2, 1868

Click to enlarge

Doyle JOHN, b. in Dublin, Ireland, 1797; d. in London, January 2, 1868; English portrait-painter and caricaturist. This clever artist studied under Gabrielli, and Comerford, the miniature-painter. He came to London in 1821 and started as a portrait-painter, but gave his attention to drawing caricatures in 1827 or 1828, and developed his well-known signature, “H. B.”, by means of two sets of initials “J. D.” placed one above the other. In 1829 he commenced his famous series of drawings which he continued to produce until 1851, caricaturing in brilliant style all the political movements of the day. His drawings differ completely from the caricatures which preceded them, notably those of Rowlandson and Gillray, inasmuch as they are marked by reticence, courtesy, and a sense of good breeding. They are extraordinarily clever and at times stinging in their bitter epigrammatic quality; but Thackeray underestimated their power when he spoke of them as “genteel” and said that they would “only produce a smile and never a laugh”. There are some six hundred of them in the British Museum, and taken altogether they form a most interesting and graphic representation of the political history of England of the time. Doyle retired from professional work seventeen years before his death. He preserved his incognito to the very last and few people were aware of the fact that the initials on the caricatures formed his signature. He produced several pencil sketches of well-known personages and made use of his studies in this way in his caricatures, but the sketches themselves constitute in several instances the most lifelike representations of the persons in question which exist.

GEORGE CHARLES WILLIAMSON


Did you like this content? Please help keep us ad-free
Enjoying this content?  Please support our mission!Donatewww.catholic.com/support-us