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Dear catholic.com visitors: This website from Catholic Answers, with all its many resources, is the world's largest source of explanations for Catholic beliefs and practices. A fully independent, lay-run, 501(c)(3) ministry that receives no funding from the institutional Church, we rely entirely on the generosity of everyday people like you to keep this website going with trustworthy , fresh, and relevant content. If everyone visiting this month gave just $1, catholic.com would be fully funded for an entire year. Do you find catholic.com helpful? Please make a gift today. SPECIAL PROMOTION FOR NEW MONTHLY DONATIONS! Thank you and God bless.

Dionysius Calvaert

Flemish painter, b. about the year 1540, d. 1619

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Calvaert, DIONYSIUS, an eminent painter, usually known as “The Fleming” and called Denis, a native of Antwerp and a student at Bologna, b. about the year 1540; d. 1619. The Antwerp “Record of Artists” or “Liggeren” (1556-57), gives his name as Caluwaert. He first studied under Christiaen van Queecborne, but early left his own country for Bologna, becoming a pupil first with Prospero Fontana, in 1570, and afterwards with Lorenzo Sabbatini, whom he accompanied to Rome in 1572 and remained there for two years assisting his master in his paintings in the Vatican. On his return to Bologna he settled there permanently, establishing a celebrated school from which sprang, among other notable artists, Albani, Guido, and Domenichino. The rival school in Bologna was that of the Carracci, but Calvaert was so respected in the city that on his decease Ludovico Carracci attended his funeral in the Servite church and brought with him all his pupils.

Calvaert was a profound student of architecture, anatomy, and history, exceedingly accurate in perspective and graceful in design. His coloring is full and rich, his execution suave and accurate, and, although there is something of an awkward stiffness in the movements of his figures and an academic mannerism in his grouping, yet in composition he was far ahead of his rivals and in coloring undoubtedly their superior. As an instructor few excelled him. His principal works are to be seen at Bologna, Florence, St. Petersburg, Parma, and Caen, and many of his pictures have been engraved. His life was one of great devotion to his art and his faith, and he was greatly respected in Bologna.

GEORGE CHARLES WILLIAMSON


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