Since the new musical film adaptation of Les Misérables hit theaters last Christmas, there has been no shortage of praise from Catholic reviewers (and some whiny criticism from the seculars) for director Tom Hooper’s decision not only to retain the religious themes baked into the libretto but to double down on them: lovingly filling frame after frame with crosses, candles, altars, vestments, chanting nuns, and every...
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"The [secular] sense of right and wrong is so delicate, so fitful, so easily puzzled, obscured, perverted, so subtle in its argumentative methods, so impressionable by education, so biased by pride and passion, so unsteady in its course, that in the struggle for existence amid the various exercises and triumphs of the human intellect, the sense is at once the highest of all teachers yet the least luminous."