Since the new musical film adaptation of Les Misérables hit theaters last Christmas, there has been no shortage of praise from Catholic reviewers (and some whiny criticism from the seculars) for director Tom Hooper’s decision not only to retain the religious themes baked into the libretto but to double down on them: lovingly filling frame after frame with crosses, candles, altars, vestments, chanting nuns, and every...
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"Once the decision had been made, to tarry in the opposition party would have been inconsistent with my whole past. I would have set my own infallibility in the place of the infallibility of the Church."