Since the new musical film adaptation of Les Misérables hit theaters last Christmas, there has been no shortage of praise from Catholic reviewers (and some whiny criticism from the seculars) for director Tom Hooper’s decision not only to retain the religious themes baked into the libretto but to double down on them: lovingly filling frame after frame with crosses, candles, altars, vestments, chanting nuns, and every...
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"Deviating from faith, they are implicated in the darkness of perpetual blindness, although they have the day of Christ and the light of the Church before them; while seeing nothing, they open their mouth as if they knew everything, keen for vain things and dull for things eternal."